Have you ever had one of the those days when you just wanted to stop the world and have an adventure with your best friends? We know that we sure have! Along with special guest Jessica Sandidge we dive back in time to reminisce about the blissful freedom of high school skip days as we discuss the John Hughes classic Ferris Bueller's Day Off. We ask the important questions, like if Ferris is a good friend, how do you know when a prank has gone too far, is Ferris just Duckie from Pretty in Pink with financial privilege, and why did Jeannie get a car when Ferris only got a computer? In this episode we pack in more topics than Ferris Bueller can pack activities into a day off. Grab a drink, kick up your feet, and have a laugh with us because as Ferris Bueller said "Life moves pretty fast. If you don't stop and look around once in a while, you could miss it." Don't miss this awesome episode!
Jessica Sandidge’s soprano voice has been described as “plush” by The
New York Times. She joined the Metropolitan Opera in 2016/17 and covered
roles in the two following seasons in Jenufa (Jano), The Merry Widow
(Sylvianne), and Marnie (Dawn). She has sung with New York City Opera in Il
Pigmalione (Galatea), Sarasota Opera in La Fille du Régiment (Marie), La
Bohème (Musetta) and La Wally (Walter), St Pete Opera in La Traviata
(Violetta), Musica Viva Hong Kong in The Merry Widow (title role), Pittsburgh
Festival Opera in La Bohème (Mimì), among others. She made her Lincoln
Center debut in Handel’s Messiah, and her Carnegie Hall debut in Fauré’s
Requiem and solo’d there again in Dan Forrest’s Requiem for the Living and
Ivo Antognini’s A Prayer for Mother Earth. This past season she sang her first
Tosca with Angels Vocal Arts in her hometown of Los Angeles. Upcoming
performances include Musetta (La Bohème) with Teatro Lirico D’Europa and
Eva Perón in a world premiere performance of Corpus Evita with West Bay Opera.